Maverick Philosopher

Nihil philosophicum a me alienum puto

To promote independent thought about ultimates. Philosophy, commentary on the passing scene, and whatever else turns my crank. Since 4 May 2004. By William F. Vallicella, Ph.D., Gold Canyon, Arizona, USA. Motto: "Study everything, join nothing." (Paul Brunton) Latin Motto: Omnia mea mecum porto. Turkish motto: Yol bilen kervana katilmaz. (He who knows the road does not join the caravan.) All material copyrighted.

Adorno on Wittgenstein's Indescribable Vulgarity

Theodor W. Adorno, Philosophische Terminologie I (Frankfurt am Main: Suhrkamp Verlag, 1973). pp. 55-56:

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Posted by William F. Vallicella on Monday April 17, 2006 at 12:02pm
w_ockham (mail) (www):
Poor Wittgenstein. Yet his writing on the infinite, which I like, is pervaded by this same idea. For example

Experience as experience of the facts gives me the finite; the objects contain the infinite. Of course not as something rivalling finite experience, but in intension. Not as though I could see space as practically empty, with just a very small finite experience in it. But, I can see in space the possibility of any finite experience. That is, no experience could be too large for it or exhaust it: not of course because we are acquainted with the dimensions of every experience and know space to be larger, but because we understand this as belonging to the essence of space. – We recognise this essential infinity of space in its smallest part.

If we ask whether the musical scale carries with it an infinite possibilty of being continued, then it's no answer to say that we can no longer perceive vibrations of the air that exceed a certain rate of vibration as notes, since it might be possible to bring about sensations of higher notes in another way. Rather, the finitude of the musical scale can only derive from its internal properties. For instance, from our being able to tell from a note itself that it is the final one, and so that this last note, or the last notes, exhibit inner properties which the notes in between don't have. (Philosophical Remarks § 223 p. 280).


And compare those thoughts to thosed of a writer you might admire more:


The presented subject has a detail which is unlimited. By this I do not mean that the actual plurality of its features exceeds a finite number. I mean that its detail always goes beyond itself, and is indefinitely relative to something outside. In its given content it has relations which do not terminate within that content; and its existence therefore is not exhausted by itself, as we ever can have it. If I may use the metaphor, it always has edges which are ragged in such a way as to imply another existence from which it has been torn, and without which it really does not exist.

F.H. Bradley Appearance and Reality, p. 156



And remember the bit in the Tractatus about the shape of the visual field not being like .... ? All these thoughts are similar, and are all connected with the idea of the unsayable, are they not?
4.18.2006 12:41pm
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